My recent article on Suikoden enjoyed some surprising popularity, so I thought I write a little about Suikoden 2, which I recently finished. Have a let’s play:

Even before I played Suikoden, I heard from a lot of sources that Suikoden 2 was in fact the masterpiece of the series. But it was difficult to get hold of it and I have a thing for playing games chronologically. It turned out I enjoyed Suikoden a lot so I decided to try Suikoden 2. I’ll be honest here and just admit that I haven’t bought the game used. The price was just too steep. I used some PSP trickery instead because it also meant that I would be able to carry over my Suikoden 1 savegame.

Which – again – is one of those odd parallels to Mass Effect. You can actually carry over the savegame from Suikoden 1 to Suikoden 2 just like in the Mass Effect trilogy. But the results are not as dramatic as in Mass Effect. There are no custom faces or important decisions that carry over. The game wasn’t designed with this feature in mind. However, some characters can die, there are custom names and you get an additional quest that revisits old friends.

Outside of that quest, the overlap between the two games is quite subtle. There are just a few characters that re-appear in the sequel – granted, two of them are very prominent. The story is a stand-alone thing as well. It even takes place in a completely different region of the world. So it’s actually completely valid to just start with Suikoden 2 as your first Suikoden game. Here is why it would be a GOOD idea:

• It’s Beautiful – You might remember that I wasn’t very happy about the visual quality of the prequel. Suikoden 2 looks stunning. Especially the character animations are amazing. There are custom animations in most cut-scenes. The environments are full of lovely details such as a flock of birds that flies away as you approach them.

  

  Scaring away birds – Attention to detail that just never gets old. Note also the dust cloud your character leaves behind when running.

  To give you an idea of the kind of detail we are talking about: the eye blinking animations of the character sprites have MULTIPLE FRAMES even though the eyes are just 2×2 pixels. The background art is not always as stunning but it uses a nice, muted color palette that makes the characters pop even more. Suikoden 2 is a sprite-based game released at a time where the whole gaming world went 3D. If you are used to 16-bit SNES JRPGs it’s an eye-opener how far this visual style could have gone if it hadn’t been abandoned.

• It Has Refined Gameplay – A big deal of Suikoden was the 3-way split of combat gameplay showing different scales of battles. The new thing about Suikoden 2 is that they replaced the grand battle gameplay with a Tactical JRPG system reminiscent of Advance Wars, Shining Force or Fire Emblem. It may not be as creative but it’s a very good match. The previous solution was basically Rock-Paper-Scissors and that was kinda redundant as the duels were also based on Rock-Paper-Scissors.

  

  A Tactical JRPG system for major battles seems like a good fit at first. Note that each unit consists of 3 characters you recruited. Each character adds a unique ability to the unit.

  I also like the way the different characters you collect influence the T-JRPG. Having every character as a unit on the map would be hardly practical considering that there are 108 characters in the game. Instead, each unit consists of 3 characters. Each character adds it’s own unique abilities to the unit. You are free to mix and match the characters at will. You want that unit to have the power to heal others? Just add doctor Huan to the mix.

• You Can Spy on Your Team – My absolute favorite addition to the game must be Richmond. He is a private detective you add to your team. Richmond can do two things. He can give you hints on how and where to acquire characters you might have missed. An incredibly important and useful feature. With 108 characters to collect it can be very easy to miss somebody.

  But Richmond can also spy on your existing team members. He can dig out some factoids from their past or some additional info about their personality. It may sound creepy but it’s actually a great way to flesh out some of characters. Because it’s up to you which character you want more info on, you can focus on just the characters you really want to know more about.

  

  Richmond offers all sorts of useful services.

  Again, Mass Effect comes to mind. The Shadow Broker DLC had a similar feature. When you finished it, you could read some dossiers about the characters in your team. That was similar except it was this huge, dull info drop – a wall of text. Richmond is interactive. The spying missions take some time so the factoids come in at a slow but steady pace. A beautiful solution to bring out the characters in a game that is all about characters. Something I’ll put in my pocket for my own designs.

• It Has Really Evil Villains – Let’s face it. Villains in JRPGs are mostly crap. From the entire Final Fantasy series, only Kefka and Sephiroth spring to mind. And even with them I can’t remember what their goal was. Suikoden 2 blew me away. There are two big villains. Both of them are emotionally incredibly resonant. They are frequently shown doing just horrible things. There is an early scene in the game that really shaked me. It’s not bloody, just cruel.

  One of the characters that joins you is Pilika, a small girl orphaned by the villain. You take care of her as you escape the bad guys and organize a Resistance movement.

  

  Pilika is a good example of incredibly effective storytelling. She infuses the central conflict of the game with some powerful emotional significance.

  Pilika is well written. There are a lot of poignant scenes with her. She is an emotionally effective reminder of why you fight. Take that, creepy nameless Mass Effect 3 catalyst kid.

• It Has Epic Setups & Payoffs – Another thing I really enjoyed about the writing in Suikoden 2 is how the entire story is framed in one huge setup & payoff structure. You know how good stories often have something seemingly trivial happen in the beginning that comes back and becomes this big deal all the way at the end? Suikoden 2 is like that. And it’s not just a cheap trick either. The entire story is centered around a very clear theme of how a friendship changes because of a war. Even after 40 hours, it never fails to drive this idea home. A rare gem in game storytelling.

So the verdict is that it’s great game and we can move on. Well, not quite. You see, while I really appreciated all the great things about Suikoden 2, I was also let down by it in some regard. Here are some of the things I did not like about it:

• Find The Random Plot Thing – Suikoden had this already. But it becomes almost unbearable in Suikoden 2. Every now and then, the plot grinds to a halt and the game leaves the player struggling to find the random thing to stumble across in order to make the plot continue. Generally, a variation of the Invisible Causality problem mixed with the lack of guidance.

  

  Early example of the issue: We are prisoners but we can do what we want? How does that work? What does “trouble” mean? Who are we recruiting people for? Translation: Walk around aimlessly until the next plot thing happens.

  Here is an example that comes up over and over in the game: you are instructed to get some sleep. You go to your room. Your character falls asleep and wakes up in the middle of the night. No reason given why. You need to walk around you castle aimlessly and talk to everybody until you randomly find some person you were supposed to talk to or stumble into some cut-scene. And then you need to walk back to your room and hope that you got it right. Because your character won’t fall asleep until you found the correct random thing. There are numerous instances of this problem. It’s annoying, it breaks the flow of the plot and it drags out the game unnecessarily.

• Confusing Castle – To add insult to injury, the castle in this game is really big and really confusing. In Suikoden you refurbished this small cave and turned it into a nice, cozy castle. In Suikoden 2 you refurbish an entire village with a castle attached. It consists of multiple buildings connected to each other with convoluted hallways and staircases. There is an elevator that was supposed to let you access the floors quickly. But it’s made almost completely useless by the fact that the interesting locations are often on the same floor but just horizontally spread-out. There were locations in my castle forgot about or never bothered to visit. I never even got an establishing shot of that place, for god’s sake!

  The inhabitants are not better either. Besides the 108 characters you recruit, there are also nameless NPCs in the castle. This helps to make the castle look more crowded and lively. But it also dilutes the experience of recruiting people. You are never really sure who the people hanging around in your castle are and who brought them here. Also, it’s so time-consuming to talk to all those people you eventually just stop doing it.

• Ludonarrative Dissonance – Here is that crazy word again. The T-JRPG part of Suikoden 2 suffers from a huge deal of Ludonarrative Dissonance. This is basically just a fancy way to say that the story and the gameplay don’t work together. For starters, almost none of the battles you fight actually finish properly. In every damn battle, one of the factions retreats after a few rounds in a scripted sequence. Initially, I thought this was some kind of tutorial thing. But almost every battle in the entire game works this way. It completely undermines that whole part of the game. None of your strategic decisions really count.

  

  Whoop-de-fucking-doo…

  What’s even more annoying, the story focuses very much on various tactics like flanking, ambushes and the use of terrain. In fact, many of the above mentioned retreats happen because of ambushes. But the game mechanics never actually reflect those aspects. It’s never important which direction you attack from. Units can’t be surprised or demoralized. Terrain does play some role, but it’s not nearly as dramatic as the story suggests. So all the strategic justifications and motivations fall completely flat.

  Generally, the gameplay just seems to be at odds with the kind of story the writers want to tell. It’s a shame because when you eventually get into a fight that goes for longer than 3 rounds, it’s actually pretty solid.

• Too Long – And as always, the thing that really makes all of the above problems really matter is simply the fact that the game is too damn long. I finished my playtrough in 40 hours. I was thoroughly done with it at hour 25 or so. And it’s just easy to see that they could have told the same story much quicker. There are dungeons that could have been much shorter. There are cut-scenes that could have been more concise. Making the castle smaller would have reduced the amount of walking you need to do.

  The irony is that the game is actually made for re-playability. For example, there is a certain quest associated with the character Clive. It requires you to do a “speedrun” of the game, if 20 hours could be even considered a speedrun. But after 40 hours, there is no way you will invest another 20 just to get some a bit of additional dialogue. And that’s not even the worst. The game even has multiple endings depending on what decisions you made. Imagine learning that you didn’t get the “good” ending after investing the 40 hours into it.

  It’s not that all the interactivity is bad. It’s just that it would have worked so much better if the game was scaled appropriately. Because in the end, the story they tell is very clear and simple. So trimming off some fat should have been easy.

So is Suikoden 2 a good game to start the series with? I’m still not sure. It sure is easy on the eyes and does some really great things with storytelling. On the other hand, there is a good chance that especially adult players will just give up midway through and miss how the story wraps up. Considering how difficult it is to get hold of the game anyway, I would personally recommend starting with the original Suikoden as a more manageable title. You can always move on to Suikoden 2 if you get into it.

This time on the Monster Hunter Podcast: All Aboard the Krystian Train. Due to Shepard having a hardware malfunction, today’s footage is the result of a drunken Krystian fumbling absentmindedly with the controller. Also, there is Jazz.

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This time on the Monster Hunter Podcast: Thanks For All the Fish. Somebody was making Dolphin noises. We deployed Smooth Jazz. Krystian is showing off his Vita. A toot flute?

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Enjoy!

This time on the Monster Hunter Podcast: A Tale of Two Primates. With Nick and Krystian not being available, Shepard and Nahxela embark on two quests of primate slaughter.

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Here is a thought. A lot of games center on the idea of discovery and exploration. From Text Adventures, Roguelikes, RPGs, First-Person Shooters, Point & Click adventures and whatnot, only very few games avoid tapping into this theme. The most iconic representation of this idea is the dungeon. A hero or a group of heroes ventures inside a cavern to explore it and to retrieve something or to kill something.

The problem is that the actual activities the games depict are actually never the activities that real expeditions consist of. Almost all games seem to boil down all dangers and challenges of exploration to just combat, perhaps with the exclusion of Point & Click adventures.

I decided to dig into books on real expeditions to get a feel of what challenges real exploration involves and to perhaps find inspiration for alternative interaction. The first book I stumbled upon is called Endurance: Shackleton’s Incredible Voyage. It an account of the Imperial Trans-Atlantic Expedition. Here is a documentary if you are interested in details.

The general story is that Shackleton wanted to cross the Antarctic after failing to reach the South Pole on numerous other expeditions. He had a crew of 28 men or so. He had a formidable, new ship – The Endurance. He also had lots of supplies and plenty of experience from other expeditions. Unfortunately, the expedition failed very early and it turned into a lengthy battle for survival. The Ship got stuck in pack ice of the Weddell Sea off the coast of Antarctica. The crew spend a couple of months there. Eventually, the ship was crushed by the pressure of the ice and they had to use boats to venture back home. Here are the different phases of the expedition.

• Ship Voyage The Ship voyage took 190 days counting from it’s departure in England. But the ship stopped at multiple locations to pick up supplies and crew members. The duration from it’s final port was 71 days. It was a dangerous sea voyage. The biggest concern was avoiding the pack ice and to find a way between the ice floes. Sadly, the ship eventually got stuck.

• Stuck in Ice The Ship was stuck for 252 days. They had to spend the entire arctic winter there – which is a time where the sun doesn’t rise and the temperatures outside are deadly low. They had plenty of supplies. The activities involved hunting seals and penguins and trying to chisel away the ice – which soon turned out to be futile. Otherwise, the biggest problem seem to be boredom and morale. There were various activities, including the training of the numerous sled dogs they brought with them.

• Camping on Ice The ship eventually got crushed and they had to set up camp on ice. This period lasted 164 days. They moved their camp multiple times during this period. Initially, the idea was to just travel to the edge of the ice field by foot until they would find land or open water. However, the ice field proved to be impassible due to pressure ridges and the various attempts were stalled. However, they were on ice and they were actually drifting away from Antartica much faster than they would travel by foot. So they pretty much decided to camp out until the ice loosened up and allowed them to continue on foot or on boats. The activities during camping involved moving the equipment, scavenging the wreck for supplies as well as hunting seals and penguins. One team member was attacked by a Sea Leopard. There was also the challenge of the management of resources, protection against the elements (cold, moisture, wind) and the maintenance of morale. Some troublesome crew members almost started a mutiny. By the end of this period, the ice started to break up, so there was the additional danger of losing people and equipment when the ice breaks underneath.

• 1st Boat Voyage At some point, a major break up encouraged the team to pack their stuff into the 3 boats they had and to sail to a nearby island. This lasted only 6 days, a very short and intense period compared to the lengthy previous ones. However, it turned out to be also a very dangerous and exhausting one. The biggest problem at this point was navigation of the boats and the struggle against currents, winds and ice obstacles. This also involved the question of destination. There were multiple islands nearby and there were multiple variables to consider. Another challenge was the physical abuse by the low temperatures, constant moisture and wind as well as the resulting lack of rest. Initial attempts to camp on ice bergs and ice floats turned out to be almost deadly. Ice floats split apart. Ice bergs can suddenly turn over as they melt away. The last few days were spent on the open sea. Hardly any of the men slept. One lost a foot due to loss of circulation in the cold. One suffered a heart attack upon arrival due to the exhaustion. But all of them survived.

• Camping on Elephant Island For the first time since almost 1,5 years, the men were on land. Most of them would need to camp out on the island called Elephant Island for another 138 days. Elephant Island in some regard was less hospitable than the pack ice. It was exposed to constant, strong winds. There was no vegetation. The only accessible part were two small, rocky beaches. The one they landed on turned out not to be safe from floods, so they had to move. The challenges involved finding or building shelter against the elements, hunting of seals and penguins and the management of supplies which were running dangerously low at this point. Some men were incapacitated due to the sea voyage and needed medical attention. Amazingly, the group somewhat stabilized eventually.

• 2nd Boat Voyage Just a few days after arrival on Elephant island, Shackleton selected a crew of 5 men and himself to travel to South Georgia to finally get help. The voyage lasted 16 days. South Georgia was around 1500km away on the other side of the Drake Passage a particularly dangerous patch of ocean. The biggest boat they had, the James Caird was upgraded for the voyage. They installed a deck for protection against the elements and a second sail. The voyage lasted 16 days. Again, the biggest challenge was navigation, exposure to elements, physical exhaustion and management of resources. At some point, one of the water containers they had turned out to have a leak and to be polluted by sea water. The last few days they went without water. The deck protected the men against the elements somewhat, but because the boat was small, they were constantly drenched in water anyway. The temperatures were so low, they had to chisel away ice that occasionally accumulated on the boat. Most dangerous was perhaps the last section, where a storm threatened to smash the boat against the cliffs of their destination – South Georgia.

• Treck across South Georgia They arrived at South Georgia but on the wrong side. Stormness, the whaling station they needed to get to, was on the other side of the island. The boat they had was damaged during the landing. Shackleton decided to get there on land. He decided to travel lightly with two other men and to get there in a single attempt. The distance was around 50km. They did it in 36 hours. They terrain was incredibly dangerous. The island consists of rocky mountains and glaciers. It was deemed by the inhabitants of Stormness as “impassable”. They were the first ever to make the trip. The group only had a rope, boots they upgraded with some screws from the boat and an ice pick. They weren’t equipped to camp on their way. In fact, they couldn’t sleep on their way as they would freeze to death at those altitudes. Challenges involved navigation and the traversal of terrain.

After arriving at Stormness, they send out ships to rescue the 3 men left at the other side of South Georgia. Rescuing the men on Elephant Island took multiple attempts and a couple of months due to pack ice. The entire story is quite remarkable. They spent 1,5 years in ice. A long period of it with almost no shelter. Nobody died. Especially the travel across the Drake Passage and the trek across South Georgia were almost miraculous feats.

In comparison to exploration in video games what stands out is the length of the trip. There were very long periods of relative stability where the challenge was to survive at a certain spot for some time. There were also multiple, shorter periods of intense danger. They usually involved travel of some sort. Only one period – the last one – didn’t involve camping out somewhere. Even in this period, fatigue was a huge challenge. Speaking of which, here are some recurring challenges that could and perhaps should be modeled in a videogame about exploration:

• Navigation and Traversal Figuring out where you are. Figuring out where to go. Figuring how to get there. Overcoming obstacles and dangers (pressure ridges, ice bergs, floats, rocks, waves, currents, winds, cliffs, etc.).

• Shelter Figuring how to find shelter against the elements – cold, snow, rain, wind. Figuring out safe places to sleep and to stay for longer. Avoiding cracks in ice, unstable ice bergs. Depends very much on the weather. Not being able to rest properly leads to rapid deterioration of health.

• Management of Resources Figuring how to distribute resources. Stretching out of provision leads to loss of strength and morale. Repetitive diet also lowers morale. “Treats” can raise morale. Also, some kinds of consumables last longer than others. Consumables can get spoiled or contaminated. Not limited to just consumables. Equipment also plays a role – sleeping bags, clothes, tents, cooking equipment, boats, sleds. Often resources need to be transported or left behind.

• Hunting and Scavenging Probably closest to video-game like combat. The Shackleton expedition killed Seals, Sea Leopards and Penguins. Sea Leopards were the only ones that were remotely dangerous. In general, hunting wasn’t so much combat as slaughtering. The difficulty was spotting the animals and to kill as much animals as possible before the packs dispersed and fled. Scavenging is pretty well modeled in games with looting.

• Health and Fatigue Health works different than in games. Health is not so much a linear value. What instead counts are individual injuries and illnesses. A man, who freezes his feet off will never be able to walk anymore, no matter how well you tend to his wounds. Minor injuries such as frost bite can heal if the men can rest. A more important aspect rarely modeled in games is fatigue. This can be modeled as a linear value. But the effectivity of a team member is slowly diminished as fatigue increases.

• Morale An aspect rarely modeled in games is morale. This refers to how much the crew members are willing to obey orders. This can also mean a general belief in the success of the operation or simply mood and motivation. Shackleton observed the morale of his crew very carefully. Especially in times of great distress such as the boat journeys, he managed the resources and provisions very carefully to keep the morale up. In less dangerous times, he managed the living quarters. He kept team members with low morale close to him so he cold keep and eye on them and so they wouldn’t spread their bad influence on others.

Whew, this got longer than I had expected. I will dig into more expeditions and compare the notes eventually. Until then, I can wholeheartedly recommend the above book. It is very well written and the incredible account rivals a lot of fictional stories in intensity and drama. I’m open to suggestions if you have other expedition accounts I should check out.